Sigale-gale samosir: from the sacred to the secular | Sigale-gale samosir: dari yang sakral menjadi sekular

Authors

DOI:

https://doi.org/10.26721/spafajournal.3ny4z90ke2

Keywords:

Sigale-gale, Sacred, Profane, Toba Batak, Samosir

Abstract

Sigale-gale is a life-sized wooden puppet carved in the likeness of a human male. It is used during burial rituals and in modern Sigale-gale dance performances in the Toba Batak community, Samosir, North Sumatra. The traditional myth of sigale-gale has become folklore which depicts the making of a wooden statue in human form given to Raja Rahat who is ill because his favorite son Manggale died in the battle. The sigale-gale is used by the community as well in funeral ceremonies for the dead who have died childless. In contemporary practice sigale-gale has been reconceived as public performance mostly for tourists. The sigale-gale thus now functions differently socially and culturally, moving from the mythological towards the worldly. The sigale-gale dance was originally only accompanied by the music of sordam but mostly now by a mixed ensemble comprised of taganing, gong, and suling. A performance can include five to seven dancers (panortor). Sigale-gale also vary in size from human dimensions as well as smaller or even bigger. Sigale-gale in its new forms represents an effort to sustain the cultural values of the Toba Batak.

 

Patung sigale-gale terbuat dari kayu yang dipahat menyerupai manusia (laki-laki) digunakan saat ritual pemakaman dan dalam pertunjukan tari sigale-gale baru di masyarakat Batak Toba, Samosir, Sumatera Utara. Mitos keberadaan sigale-gale menjadi folklore yang menceritakan pembuatan patung kayu menyerupai manusia dipersembahkan kepada Raja Rahat yang sakit karena anaknya tewas di medan pertempuran. Sigale-gale digunakan pada upacara kematian yang tidak memiliki keturunan. Dalam perkembangannya, sigale-gale menjadi seni pertunjukan untuk menghibur wisatawan. Fungsi sigale-gale secara sosial budaya menjadi berbeda, yakni dari sakral ke profan. Awalnya sigale-gale hanya diiringi musik Sordam dan Sabangunan, tetapi di masa kini pertunjukan sigale-gale diiringi musik gondang, gong dan suling. Pertunjukan sigale-gale terdapat panortor lima sampai tujuh orang. Ukuran patung sigale-gale bervariasi, ada yang tinggi seukuran manusia ada juga yang memiliki ukuran tubuh lebih kecil ataupun lebih besar. Unsur pertunjukan terdiri dari: Sigale-gale, musik dan tor-tor (tari). Sigale-gale dalam bentuk baru merupakan upaya pelestarian nilai-nilai budaya masyarakat Batak Toba.

Author Biographies

Rosta Minawati, Institut Seni Indonesia Padangpanjang, Sumatera Barat

Senior Lecturer

Vice Dean Academic Affairs

Faculty of Fine Arts and Design

Enrico Alamo, Institut Seni Indonesia Padangpanjang, West Sumatra

Lecturer

Theater Department

Contemporary Sigale-gale by Henrizal Batubara. Source: Photo courtesy of Henrizal Batubara, 2016.

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Published

2022-01-20

How to Cite

Minawati, R. and Alamo, E. (2022) “Sigale-gale samosir: from the sacred to the secular | Sigale-gale samosir: dari yang sakral menjadi sekular”, SPAFA Journal, 6, p. 3ny4z90ke2. doi: 10.26721/spafajournal.3ny4z90ke2.

Issue

Section

Research Articles